Natalie Dessay in The Met's Lucia di Lammermoor
By Walter Scott, s.l., s.n., no date
Lucia di Lammermoor is my favorite opera, and I couldn't wait to read the novel behind the performances that I've loved so well. What's better than Lucia's Mad Scene? Big mistake. I bought a horrible edition from Amazon without an introduction, textual notes, or anything to aid the reader. The narrative is in standard English, but I don't read Scots! I could get the gist of what occurs in any given scene without being able to decipher the individual words, but geez. The narrative gallops along, and I tried to immerse myself in the Romeo and Juliet story of Lucia and Lord Ravenswood. I did a little online research to better understand the political dynamics of 17th century Scotland, the setting of the story, but without the necessary context, this novel was a slog.
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A diary devoted to reading the 100 novels cited in Jane Smiley's 13 Ways of Looking at the Novel
Tuesday, October 8, 2013
The Bride of Lammermoor
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